2
Alan Pappé
(American, 1934-2008)
Joel Grey Backstage from the film Cabaret
Estimate: $400-$600
Sold
$1,000
Live Auction
Master of Ceremonies: The Joel Grey Collection
Size
Image: 13 1/2 x 10 1/2 inches.
Description
Alan Pappé
(American, 1934-2008)
Joel Grey Backstage from the film Cabaret
gelatin silver print
Image: 13 1/2 x 10 1/2 inches.
The Collection of Joel Grey
Condition
Framed: 25 x 22 x 1 inches.Sheet: 14 x 11 inches.Soft handling creases and light surface cracks visible, particularly at the four corners, but also a few minor cracks in the top third of the picture and a few at center. There is some separating of the paper surface at the extreme corners. See Specialist's photos for more details.
Provenance
Lot Essay:This haunting photograph, taken by still photographer Alan Pappé on the set of Cabaret (1972), captures Joel Grey in a moment both intimate and unsettling. Unlike the scenes audiences typically associate with Grey’s iconic Master of Ceremonies- flamboyant, whimsical, and grotesquely charming- this image offers a different lens: one that is eerily quiet, sensually charged, and deeply theatrical.Grey, seated half-dressed and smoking a cigar, gazes coolly past the camera as a chorus girl lounges near him. The cluttered dressing room is littered with newspapers, clothes, and shadows, echoing the decadent chaos of Weimar Berlin. This is “one of the most telling, and disturbing, pictures of the MC,” Grey remarked, as he is “normally shown singing and dancing and being idiotic... but I think this moment with him and the chorus girl, lounging around him and smoking a cigar, was very disturbing.”The photograph transcends the conventions of a simple film still. As Grey himself observed, “It’s not about acting – it’s about catching the moment.” In this frame, the MC is stripped of his stage persona. There is no spotlight, no razzle-dazzle- only a raw, voyeuristic peek behind the curtain. The image unsettles precisely because it blurs the line between character and actor, performance and private self. In Pappé’s photograph, we see not just the MC, but the moral ambiguity and seductive danger that defines Cabaret. It is a portrait of decadence, yes, but also of complicity- and of the quiet moments that speak louder than song and dance.